Published by: Self-published
Genre: Epic Fantasy
Series: The Wildfire Cycle #01
Review Copy: Courtesy of TheWriteReads, as part of the Kingshold Blog Tour!
Kingshold was difficult to get into – so difficult, in fact, I hate to admit that if I wasn’t part of this blog post, I might not have gotten past the opening third…which would’ve been a pity as there is plenty I enjoyed further on! For that reason, before I get into the review proper, I’ll take a little while to tell you about the issues I thought plagued these first hundred and thirty pages or so.
The first 30%
The beginning felt bloated. Exposition-heavy dialogue distracted from the characters and their motivations, traits and roles in the story. There’s a lot which yells out “boilerplate fantasy” here, in terms of archetypes and descriptions both – from the ancient mildly Bayaz-esque wizard who pulls the strings of a kingdom and does as he wills to the burly torturer who says “M’Lud” instead of “My Lord”. All planets have a north, I know, I know. The issue of the descriptions to start with is, they all felt like I’d read them a hundred times before. I prefer a well-crafted image, which fleshes out one memorable trait as compared to what the reader often comes across here, a dozen forgettable adjectives.
It’s overwritten – but even then, I enjoyed some of the characters from the start. Take for instance the Lord Chancellor Hoskin, whose wry amusement at the expense of others put a smile to my face. What I found lacking early on was subtext – so many issues are presented bare and without a hint of subtlety. It’s almost as if the author didn’t quite have the faith early on that the readers might pick more subtle cues from his characters; Woolliscroft felt the need to be blunt about characters’ motivations and goals this early on, and I wasn’t won over by that.
Once I passed the 30%, however, I started getting into Kingshold.
D. P Woolliscroft has comedic timing, something I got quite a few hints of early on. It really blossoms once you get to know the characters better and as a result, I chuckled throughout. I found more than a few of the intimate moments between the cast touching, as well.
The dwarves deserve a commendation – several small details given them by the writer differentiated Woolliscroft’s take in memorable ways compared with the usual portrayal you get in fantasy. Some sweet details about their homes, their forging techniques, their thermal baths – all things you have got to love.
In terms of characters, I enjoyed their growth over the span of the book. Chancellor Hoskin transformed from a nervous bookworm to an acidic arsehole, and I loved every minute of it. I won’t touch upon all of them, but the bard Mareth was also a lot of fun to watch grow from a semi-capable drunk to someone with vision and a desire to elicit change, as was the servant Alana, whose duties in serving a wizard his breakfast really help her find her place in the world. The wizard in question has a daughter, Neenahwi, who has several satisfying moments in her own right.
The prose holds this book back – too often, words feel out of place; dialogue or descriptions are overwritten and bloated. As I said, it’s serviceable but it lacks a certain amount of stylization – particularly in terms of dialogue, which comes off as unintentionally ironic from time to time – which is what makes the best examples of the epic fantasy subgenre exceptional. The language lacks exactness, and often makes the mistake of being too passive: “There have been some of the younger dwarves who have gone missing.” This sentence could easily be reworked to something dynamic like “Some of the younger dwarves have gone missing.” Shorter, easier to read, better.
Another small qualm I have with the novel is, it’s got a number of punctuation errors and typos, a few missed words: “She’d come into their group like a whirlwind, full of confidence of the like Alana only dreamed [of].” Annoying, that.
With a round of close in-line edits, these issues could have been fixed. Kingshold has a strong core of ideas, a cast of likable protagonists and plenty of heart. It’s a pity that some of it comes across as sloppy, bloated and over-written because the potential for this one to be brilliant is there. So many of the ideas Woolliscroft presents are ridiculous amounts of fun! One of Kingshold’s chief exports, for example? Assassins. How does it work? A legal framework is in place and all, and no one bats an eye! “…It did prove useful that there was a certain understanding between the branches and the head office here. Made him wonder why the other cities would countenance their existence. But he supposed a score of deadly assassins had a certain special kind of lobbying power.” See? Fresh and funny!
My score for this one is 3.5 out of 5 stars on Goodreads, or a 7 out of 10. Kingshold offers a pastiche of many of the traditional themes and motifs of epic fantasy and while it takes a while for them all to mix fully, once they do, Woolliscroft offers an engaging read despite a number of issues.