This review was originally posted over at booknest.eu.
I approach the review of this one with mixed feelings. On the one hand, I enjoyed much of the story (after a fashion), loved the characters and found several of the plot threads nothing short of riveting. On the other, dozens of typos pulled me out of the action very often, much to my annoyance. Further, I admit to some confusion on account of the blurb of this novel only concentrating on a third, at most, of the story it tells. The much more significant conflict, which embroiders four out of the five point-of-view characters of Crown is described by the succinct sentence, “A coming war,” and perhaps by the following line “a broken land where conquerors dream of empires”.
J. C. Kang’s world is multifaceted. History and mythology are one and the same, with fragments of once-corporeal gods empowering the mortal might of broken and aspirant empires both. There’s enough here to be daunting to a new reader to the world of Tivara – at times, I felt lost, uncertain of which of the characters were being introduced for the first time and which of them had starring or supporting roles in Kang’s previous works.
I was entranced by Tomas’ story, the point of view which deals with the eponymous Crown of the Sundered Empire and with an invasion by the disgusting Bovyans, a race of large, militaristic males who procreate by forcing themselves on the women of those territories they subjugate through force. Tomas’ sharp wit is easy to grow fond of, and he goes through a dark hero’s journey, which sees him turn far more ruthless, at a very steep price. Only two instances come to mind as somewhat “off” in terms of his PoV sections, one of them when a soldier intent on not trusting the boy has a change of heart after stating very clearly he wouldn’t trust Tomas; the other involves a mid-wife in his village, of whom Tomas only ever thinks of as “the midwife.” This last one feels bizarrely archetypal and not at all like everyone in this tiny fishing and diving village has intimate knowledge of each other.
Our other characters, princes, princesses, bastards and a half-elf assassin, deal with the fallout of Crown Prince Elrayn’s attempt to unite two broken kingdoms in order to further his own power. At its best, this part of the novel reminded me of the plots of some Shakesperean comedies, with men and women desperate to get out of arranged marriages, falling in love with exactly whom they shouldn’t and creating plenty of amusing conflict. At its worst, however, I just didn’t buy into the casual stupidity the Crown Prince exhibited in the midst of crisis – there’s incompetence, there’s short-sightedness and then there is whatever Elrayn suffers from. His early successes came across as no more than a stroke of luck, and his later failings appeared to me too artificial. Thankfully, he’s not one of the PoV characters – rather, the engine by which most of them come into the conflict.
I was familiar with the high-elf, Jie, from a short novella by the name of “Thorn of the Night Blossoms” and I enjoyed seeing her all grown-up and experienced but also struggling between duty and love. Her affair with Elrayn’s brother, Aryn, was a source of amusement and some well-appreciated tension, which ultimately didn’t come up to the sort of resolution I would’ve liked.
Alwrynn, royal bastard and brother to Elrayn and Aryn, whose overwhelming use of naval terms chafed during several instances, was otherwise an entertaining protagonist, skilled at sea but almost as helpless on land as in the world of politics. His connection with Alaena, the third PoV character and one of the princelings Elrayn attempts to marry into his family, is a source of plenty of tension that pays off really well towards the end of the story.
The action was fantastic, nothing less than what I’ve come to expect from Kang, based on my limited experience with his work.
Crown of the Sundered Empire is an intriguing read with plenty of positive elements. My enjoyment of it was mired by the typos and the extent to which I felt like a newcomer who lacked basic insight into some of the characters’ pasts and world events. Tomas’s story might’ve been a short novel of its own – and I would argue, it would’ve been a finer entry-point to the world for new readers such as myself. As it is, I liked J. C. Kang’s novel well enough, even with the issues I had, which is why I’m giving it 3/5 stars. I feel obliged to say that I’m in the minority – most of the readers who have scored this book over on Goodreads have given it either 4 or 5 stars. What didn’t work for me might very well work for you.